195. Titre/Title/Título : Ambient techno
195. Titre/Title/Título : Ambient techno
Produit par/Produced by/Productor : Anabelle Adamcewicz
Pays/Country/País : Australia
Type/Tipo :
Synopsis/Resume/Descripción : My artistic intention with this piece was to convey the nostalgia that comes with the passing of time. This was depicted through the use of MIDI sampling techniques which mimic the ticking sound of a clock. As the piece progresses, this ticking can be heard to be layered, creating a sense of momentum as ‘time’ progresses. Panning effects were also used on this ticking sound to create a notion of the piece surrounding the listener, in almost a circular motion like how time can be perceived. I placed this sound at the start and end to create structure in the piece which can be heard to end with the ticking sound and the sound of a crash, reversed to indicate what could be, the sudden feeling of one’s time stopping. I also incorporated sounds which reminded me of nature such as thunder and rain to play in the background. This adds to the ambient feel of the piece and also, symbolises how time passes with nature. The melody and synthesised sounds were produced also through MIDI sampling and were incorporated to encapsulate the feelings of nostalgia associated with the passing of time. Through this technique, I looped the synthesiser which can be heard at the start to create a subtle beat to depict the forward momentum of time.
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184. Titre/Title/Título : Water voice
Produit par/Produced by/Productor : Suzie McCarthy
Pays/Country/País : Canada
Type/Tipo : Sound art/song/experiment
Synopsis/Resume/Descripción : Water voice is a medley of voice notes from my phone, recorded over a year or so. These recordings were never intended to be broadcast, but in layering them together they've transformed into a sort of siren call. Mostly made in my bathroom with my own voice, it's a 60 second window into private moments. Somehow, I feel there is some sort of feminist undertone to this piece. The only male voice is sleeping (snoring!) and I am exploring what my voice can do in harmony with extractor fans and running taps.
183. Titre/Title/Título : La nevada del siglo
Produit par/Produced by/Productor : Juan Ford
Pays/Country/País : Argentina
Type/Tipo : Documental
Synopsis/Resume/Descripción : En 1995 ocurrió la nevada más importante del siglo en la Patagonia sur de Argentina. Alvino Velázquez, gaucho de Tierra del Fuego, nos cuenta como tuvo que pasar la noche a la intemperie en aquel temporal.
182. Titre/Title/Título : Bionosphère
Produit par/Produced by/Productor : Elisabeth Goodhue
Pays/Country/País : Canada
Type/Tipo : Radio Art
Synopsis/Resume/Descripción : Imagine a world above the hustle and bustle of everyday human life where sound travels through the air. In Bionosphère, I imagine that the sounds from radios come from a world above ours; that there is life in the ionosphere where radio waves travel. What would life in the ionosphere sound like and how would those lifeforms view humans? By using only samples from my handheld radio, I created a world outside of our own that allows space for human introspection while also inviting people to avoid the human trap of overthinking and to succumb to a world of daydreaming.
181. Titre/Title/Título : Gone: Our Intangible Losses
Produit par/Produced by/Productor : Katie Semro
Pays/Country/País : USA
Type/Tipo : Sound and Story Art
Synopsis/Resume/Descripción : Gone: Our Intangible Losses is a fragmented, chant-like piece full of sound, spoken word, and texture to attempt to mirror the emotional experience we have when we lose a dream, an opportunity, a love, an identity, or any other intangible loss. This piece was adapted for this competition from a work in progress and has not been broadcast or otherwise published online.
180. Titre/Title/Título : Fantasmas migrantes en La Bestia / Migrant ghosts in La Bestia.
Produit par/Produced by/Productor : Alvaro Diaz Rodriguez
Pays/Country/País : Mexico
Type/Tipo : Soundscape - Collage - Documental
Synopsis/Resume/Descripción : This piece shows the sounds and voices that arise around the mythical La Bestia train; a freight train that moves hundreds of migrants –along with their hopes– from the south to the north of Mexico; Thousands of migrants also die on this train every year, and even so they continue to risk their lives. These recordings made on the migrant journey are a sample of the hopes of migrants who seek better life opportunities for themselves and their families; it is a journey of wandering ghosts in search of a new home and to be heard again by society. Esta pieza muestra los sonidos y voces que surgen alrededor del mítico tren La Bestia; un tren de carga que mueve a cientos de migrantes –junto con sus esperanzas–, del sur al norte de México; en este tren mueren también miles de migrantes al año, y aún así ellos siguen arriesgando sus vidas. Estas grabaciones realizadas en el viaje migrante, son una muestra de las esperanzas de los migrantes que buscan mejores oportunidades de vida para ellos y su familia; es un recorrido de fantasmas errantes en busca de un nuevo hogar, y de ser nuevamente escuchados por la sociedad.